Saturday, November 19, 2016

Unbreakable Tropes

 Luke Cage as a character
 is a study of many tropes that come up when examining black masculinity. The creators of the character, Archie Goodwin and John Romita Sr., originally took the very obvious issues of unjust targeting, imprisonment and persecution as their orientation to the character. Today those issues are still just as important but have been examined with great scrutiny and opened up to expose many more layers needing discussion. It does leave creators of speculative fiction to think about what tropes are over used and which are still viable and important to explore for audiences. How do these stereotypes change or get more complicated over time? Creators of new content have to be aware of the boring danger of beating a topic to death. The genre of comic books is based on broad themes that get all but personified in one character or another. When one guy holds them all it blocks the game. Think Superman having every power imaginable.
The popular media of the 1970's catered to the public's increasing desire for justice and fairness in their choice to develop this character. The turbulent times of the 1960's Civil Rights movement, the anti war movement and new awareness and distrust for power brokers in government and industry was at the forefront of Americans' consciousness and consequently American media and literary culture.  From Sesame Street to prime time television there was an acknowledgment of the changing popular opinions in entertainment.

The depth to which they delved into the complexity of the black male identity was perhaps equal to their ability to grasp the nuances and write material that would not alienate their core audience, thus the corniness of Cage. 

They no doubt took their lead from films later labeled "black exploitation". They created icons from the romanticized stereotypes that held both the danger that would intrigue viewers and readers and lent those characters the modern "right to be hostile" as Flava Flav put it. They presented characters that were more 3dimensional and complex even though much of the writing was still bad.

The modern manifestation of Cage in comics and now on television takes liberty in the scope of the issues and reflects all the rawness of the contemporary conflicts that play out on the news and on social media never mind in fiction. So we have  a Luke on Netflix dealing with nearly all of the tropes that black men face instead of just a few. He still bears some of the same criticisms seeing as the genre is by nature far fetched fantasy. The power fantasy corniness is however for many forgivable in light of the constant barrage of imagery of black men being disempowered. 
Here are some over-played issues that come to mind that we see all packed into one character:

Son of a preacher
   What is it about a black man spouting scripture that puts people at ease?

Righteously indignant
    Of course we have the right to be hostile, our people are being...

Stereotyped as a thug   
    The criminalization agenda has been well documented (thank you Ava Duvernay!)

Falsely accused of a crime
   It just follows naturally.

Sex object
 
    His potency is laced with fear. The big black stud who will take your woman is used over and over.

Idealized physical form
   His super power is actually just an extension of who he already was. This makes him all the more believable for better or worse. 

Physically durable as if to take punishment  
    We see him shot, stabbed, buried alive, hit by vehicles, suffer, suffer, suffer... Just like so many real life men we know. He survives to suffer more. His power is his reason to take more punishment.

Torn between community and society
   He like many of us wants better for his people but is locked into fighting them instead of the power structures holding them back. What does this teach us? 

It should be noted that many of these tropes play out over and over in Hollywood with male characters of several backgrounds. The allure of the magical negro seems to pluck at the heartstrings and collective conscience for some more than that of the most brooding white male. 

The examination of these conflicts begs the question of what else is left for building blocks of black male characters whose identity and story revolves around their experiences as black men. What other salient questions can be asked? What important misconceptions can be delved into? What enduring personal and social conflicts will be enduring and  appealing to a wide audience as we move forward to the next few decades? This is the stuff of afrofuturism and black speculative fiction.

There are stories being written right now and books sitting on shelves at this moments that go into these territories. Without the aid and platform of Marvel and Netflix how will we see them survive to evolve the way Luke Cage has?



Discord Echoes

Life and society develop over time to become more complex and complicated. Fire, the wheel, writing, electricity, the computer, the internets... The complexity makes more opportunities available for humans to survive as a species. We went from hunter gatherers to farmers to shoppers at Walmart. All of those expansion events have ripple effects in other places. All of the progress has come from monumental efforts from the labor of workers. They break their backs so that their children might work with their brains behind desks. Not all of the children of workers can make it to the next rung of the ladder though. Some are fine as workers, some try the arts, some try to climb but fail. When whole families of three generations look at each other and realize no one made it out resentment grows. When whole communities of families of several generations make this realization again and again, hate and resentment and violence erupts.


The disappointment of separated sub-groups of our society has been in an echo chamber of call and response for decades. One group in utter dismay and decrying the injustices the system subjects them to then another group wailing in shrill refrain until an engineer equalizes the song a bit in their favor. There are voices in the center of the chorus, at the outer edges and grumbles from the passive congregation that provide a low discordant buzz that reminds us of the imperfection that soul music relies on. 

Now we see the discontent and hear the wailing that is closest to us. We always heard the grumbles in the reverb. We thought the song was ours to sing as long as we drowned out the other sections. Our choir was so huge that the tenors and the sopranos seemed to never meet. They never believed there was harmony in their discord. Like folks clapping on the 1 and 3 when the emphasis is on the 2 and 4, the polyrhythms sound like chaos when you're in your groove. When the groove is disturbed and funk is overlaid with misinterpreted corniness it can be hard to stay in it and sing along. When all you can hear are the lyrics of the song that you can't stand and this is not your jam it might seem like it's time to step out and find another party.

The reality of the situation has not changed though. The discontent that both groups are shouting about is still very real. Generations of people on both sides feel they are being wronged. They feel they are struggling in vain. That jobs are harder to find. That their safety is threatened. That their values are being dismissed. No matter how we feel about the validity of each other's positions and frustrations we are set in a chorus of discontent that is becoming louder and harsher and more discordant. And while we get snarkier and ruder as we troll and launch meme missiles from behind the wall of computer screens at enemies we only know by profile pics and sound bites, the discord whips us into a chaotic fury that fuels an unseen engine. All because we can't imagine ourselves to ever, ever, ever be so vile. Because we can't imagine.